Built in the 1930s on the Saint-Jean-Cap-Ferrat peninsula, Villa Santo Sospir is closely associated with Jean Cocteau, who created his first monumental mural decorations there. This immaculate holiday home emerged from anonymity in the early 1950s, when the poet met its owner, Francine Weisweiller, during the filming of Les Enfants terribles. The destiny of Villa Santo Sospir was sealed by a few swift, eloquent, and poetic pencil strokes from this multidisciplinary artist, an emblematic figure of Surrealism.
Modest in appearance and nestled behind dense vegetation, the neo-regional Villa Santo Sospir faces the spectacular landscapes of the Saint-Jean-Cap-Ferrat coastline. Overlooking the Mediterranean, its lush garden invites relaxation and introduces this residence—now listed as a historic monument and awarded the “20th Century Heritage” label. This distinction is owed not to the villa’s traditional architecture, but to the works concealed behind its ground-floor arcades and the pergola above them.
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“Walls should not be dressed; they should be drawn on.”
Fearing idleness, Jean Cocteau asked the owner for permission to draw Apollo’s head in charcoal above the living-room fireplace. This gesture marked the beginning of his prolific intervention at Villa Santo Sospir, where every wall, door, and staircase became a canvas for sketches inspired by Greek mythology and scenes of the French Riviera.
Jean Cocteau’s indelible mark is visible in every room of the house. Not a single wall remains blank, from the entrance hall to the living room, bedrooms, and corridors.
The leafy patio is adorned with floor and wall mosaics, offering a prelude to the villa’s artistic universe.
In the dining room, a tapestry depicting Judith and Holofernes presides over the wooden table, which welcomes guests while opening onto the Mediterranean through a large window.
The living room features a spectacular fresco in which two sun priests flank the original Apollo.
No surface escaped the artist’s attention. Even furniture bears the imprint of his insatiable creativity, notably in the room known as the Bacchantes’ initiation chamber, as do everyday objects such as a simple terracotta plate.
Like many villas marked by the artistic effervescence of the 1950s, Villa Santo Sospir became a private haven for celebrities once Jean Cocteau etched his first drawings onto its walls.
It notably hosted Alain Delon and Romy Schneider in search of seclusion, as well as numerous other figures, including Elizabeth Taylor, Richard Burton, Prince Rainier III, and Charlie Chaplin.
A prestigious destiny for this residence hidden along the rugged coastline of Saint-Jean-Cap-Ferrat, it continues to spark visitors’ curiosity today.
Open for visits by appointment to discover Jean Cocteau’s extraordinary wall decorations, the villa has also been transformed into an exclusive reception venue. It now hosts exhibitions and conferences dedicated to Cocteau’s work and offers its exceptional Mediterranean setting for cocktail receptions, elegant dinners, and pop-up events.
Historic villa on the French Riviera